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The two singles released so far by Ashnymph defy easy classification: their personal label of their music as “subconscioussion” doesn’t offer many clues. The first single Saltspreader blended a heavy mechanical drumming – member Will Wiffen has sometimes been seen on stage in a tee that features the symbol of the trailblazing band Godflesh – with old-school electronic keys and a riff that partly brings to mind the classic Stooges track I Wanna Be Your Dog, before dissolving into a wall of disquieting noise. The planned result, the band has indicated, was to evoke motorway travel, “the grinding circulation of vehicles all day long over vast spans … amber lights after dark”.

The next release, Mr Invisible, sits somewhere between dance music and unconventional alternative rock. For one thing, the song's beat, layers of hypnotic electronics, and singing that comes either psychedelically smeared or mesmerizingly repeated in a way that evokes Underworld's Dubnobasswithmyheadman period all suggest the dancefloor. On the other, its powerful concert-like energy, edge-of-chaos quality and overdrive – “achieving a crunchy texture is a personal mission,” Wiffen noted – distinguish it as undeniably a band creation rather than a bedroom-bound producer. They've gigged around the independent music circuit in south London for a short time, “any spot with loud speakers”.

But both are exciting and different enough – mutually and other current music – to spark curiosity about Ashnymph's upcoming moves. Whatever it is, on the evidence of Saltspreader and Mr Invisible, it’s unlikely to be boring.

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